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Documentary lower thirds

A whole lower-third system on one long camera move: location, name, subtitle, pull quote and chapter card.

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Opens in the editor with this design. Change anything after, by chat.

How it was made

FrameCall's Quality model made this video from one prompt, in one run, with no hand edits. The prompt, word for word:

Make a 24-second opening for a documentary called 'Salt Roads', about a family that still harvests sea salt by hand on the Atlantic coast, and use it to show off the film's lower-third package: one design system that handles every kind of on-screen text the film needs. Shoot it as one continuous, unhurried camera move along a single long illustrated landscape, painted in a soft, grainy risograph style in sea-grey, chalk white and one rust accent: dawn over the salt marshes with their mirror-like pans, along the wooden walkways past a stone hut, to a salt worker raking a white mound, then rising to a wide view of the marsh at full morning light. Along the way the package appears five times, each one appearing only once the camera has settled. First a location tag: 'Guérande, France' over 'June, 4:52 am'. Then the name super when we reach the worker: 'Mathilde Rocher' over 'Paludière, third generation', set on her side of the frame. Then a subtitle as she speaks, in two lines at the bottom centre: 'My grandmother said the salt only comes when the wind agrees.' Then a short pull quote set larger beside her: 'The sea does most of the work.' Last a chapter title as the camera rises: 'Part one' over 'The harvest'. Every one of them is clearly the same family: the same typeface pairing, a condensed sans for the main line and a calm serif italic for the second, the same thin rust hairline that draws in first and the same soft rise of the words from behind it, and the same way of leaving, the hairline retracting a little faster than it came. Each one holds completely still while the camera keeps drifting, long enough to read twice, and the longer lines stay longer. Keep all text well inside the edges of the frame and never over a face. The marsh should feel alive under the text: water shimmering in the pans, wind moving the grass, a few birds crossing far away. No corner HUD text, no glow, no lens flares.
  • 16:9 · 30s

    Fault Line title sequence

  • 16:9 · 22s

    Workshop end screen

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FAQ

How do I use the Documentary lower thirds template?

Type what yours is for in the box (a business, an event, a song, a launch) and press Make mine. FrameCall opens the editor with this design and remakes it for your idea. Then keep chatting to change anything.

Do I need After Effects or any other software?

No. Everything runs in your browser, and you download an MP4.

Which sizes does it come in?

It is designed 16:9. Ask for another size in the editor and FrameCall lays it out again for the new frame.

Is it free?

Starting is free: new accounts get 100 credits, and a remake runs on the Fast tier, which costs the least. Free exports are 720p with a small framecall.com mark; any credit pack removes it and unlocks up to 4K.